Despite the herculean efforts of
Andrew Eldritch during lengthy negotiations with experienced major record
labels to ensure that the Sisters’ future releases would be managed in a way
that met his own exacting standards with Merciful Release, the singer famously
ended up (like so many musicians before and since) at war with the label to
whom the band signed, culminating in the contract ending SSV (non-)release in 1997.
The seeds of this growing unrest with
Warners can be seen very early in the relationship, although in 84/85
interviews Eldritch seems to seek to placate fans unhappy at the hook-up with a
major corporation by stressing that all was going well. Although that may have
been the case in the UK, and the band continued to get on famously with certain
individuals at Elektra (WEA’s US imprint), in others territories the band’s
relationship with the label was already at breaking point.
This was certainly the case for
arguably the least successful of the Armageddon tour in 1985, the stop at the
Vikateateret in Oslo on Thursday May 16th, the penultimate night of
TSOM’s European tour. One can
imagine that the band would already not have been happy that the itinerary
caused them (and their alleged) contraband to cross country borders two nights
in a row (Gothenburg in Sweden to Oslo in Norway then back into Sweden for the
Stockholm finale) at the end of an exhausting pancontinental trek, but to
arrive for the under-advertised show to find that the Norwegian branch of the
record label had unilaterally decided to delay the release of FALAA really
aggravated Eldritch, as he confessed in an interview recorded immediately after
the Stockholm press conference the following day.
As a result, the band’s Norwegian
debut drew only a small crowd compared to the adulation which they had received
earlier in the month in Germany (Wayne Hussey telling “Wot!” fanzine that they
had had “a Duran Duran type reception” which he described as “funny”). Even
worse, those who did attend further invoked the singer’s wrath by indulging in
the traditional punk habit of spitting at the band to show their appreciation,
an occurrence which had died out in the UK some five years earlier. They had
clearly not read the contemporary interview in Kerrang, in which the singer had
railed at the entire Welsh nation for a similar reason: “No, I mean to be fair to
the Welsh,” begins Eldritch, stops, considering and starts anew: “No, let’s not
be fair to the Welsh at all! You spat at us, you! We’ve only ever played in
Wales once and you spat at us. Give me one good reason why we should EVER play
in your God-forsaken country again!” Some thirty-two years later, TSOM have not
returned to Wales, despite playing many times in Scotland, Northern Ireland and
Eire.
The Norwegians were still very much
in Eldritch’s mind several weeks after the Vikateateret gig, when the singer
was interviewed in early June for the American Rockpool magazine. During a
discussion about whether the band would continue to play gigs in the near
future, Eldritch said. “We commit ourselves so easily to doing people favours
like playing in Norway to 211 people who only spit at you and you have to be
hospitalised”. Sadly the conversation then takes a different tack, and we never
get to hear of the reason for the hospitalisation, unless Eldritch is speaking
in general terms about the strains and stresses of touring, rather than any
specific incident in Norway. Although the singer did turn up so late to the
following day’s Stockholm press conference that Adams and Hussey started
without him, subsequent answers that day reveal that he had travelled through
from Norway with the rest of the band as planned, and no direct mention is made
any mishap the previous evening. However in the interview recorded straight after the
official conference, Eldritch said “Oslo got rained off pretty much (sniggers
from the other two). We thought that Oslo was a capital city until we went
there (more sniggers). They spat at us in Oslo so we hit them...So they
spat some more so we hit them again. And then we went off….The idea of
Norwegian punk rockers is somewhat strange to us...(more sniggers)..I
think it was a bit strange to them… They did what they thought they were
supposed to do, but didn’t realise that we would hospitalise them for doing it.
And they’ll know better next time, if we let there be a next time. I don’t
think that there will be…. I’d rather not talk too much about Norway.” It may
therefore be that the final “you” of the Rockpool quote is superfluous.
A bootleg recording of the Oslo gig
does exist, but contains a truncated set ending in Floorshow. It is generally
assumed that this is an incomplete recording, with the taper’s cassette running
out towards the end of Floorshow, 45 minutes (the length of the average cassette tape) into the set. Eldritch expresses his displeasure with the
spitter(s) in his usual style, during No Time To Cry (kindly uploaded by Phil Verne of the unofficial TSOM 1980 - 1985 FB fan group): two minutes into the
song, Eldritch interrupts the middle eight to tell the offender that if they do
it again, whoever they are, he will “have” them with the microphone stand. He
then misses his cue for the final verse, presumably still occupied with the
other matter. The next few songs seem to pass without incident, but at the end
of Logic the singer mysteriously announces that “We’ve decided that you can all
go home now.” Again the gig continues, with Eldritch reassuring the (otherwise
appreciative) crowd that he likes them at the beginning of the final recorded
track, Floorshow, only to again miss his cue for the song’s opening verse,
almost certainly the result of a further incident. With the final section of
the gig possibly unrecorded and definitely uncirculated, what happened
thereafter is anyone’s guess, but Eldritch’s later comments (quoted above)
would tend to suggest that the gig didn’t end happily. Anders R recalls meeting a fan at the 2009 Oslo show who had been at the 1985 gig, and thought that the band had ended with either Sister Ray or Ghost Rider (or possibly both).Only one photo
purportedly from the gig has ever surfaced (and is reproduced below), and as
ever it would be great to see any other ephemera (poster, ticket stub, reviews
etc) from this gig. The photo came from Heartland Forum member”psy”, who added
that “the Norwegian music magazine Puls reviewed the concert, but I can’t
remember what they said. Probably hated it.”
The audio recording was only rumoured
to exist for over twenty years and only surfaced after another Heartland Forum
member “tripleson” shared it in 2008, adding “I’ve been told that Harald A Lund
from NRK radio station had a deal with the band to record and transmit parts of
the show. Just minutes before they got on stage, Andrew ‘changed his mind’ and
no recording was allowed.” “Tripleson” also mentioned that “17th May
is the national day here in Norway and traditionally on the 16th youngsters
drink themselves totally wasted. This reflects on the atmosphere in this
recording” and the problems which Eldritch himself was referring to in the afore-mentioned Stockholm interview. The
“Russefeiring” is a noble end of high school rite of passage for Norwegian
youngsters that even merits its own Wikipedia entry, a bacchanalian tour de
force lasting more than two weeks and with levels of alcohol consumption that
should have drawn approving nods from the equally excess-prone band.
The venue for the gig, the Vikateatret (“Bay
Theatre”) was in the Aker Brygge area down by the seafront in the Norwegian
capital, an area that was modernised and restyled in the late 1980s, leading
to the theatre’s demolition as the surrounding traditional industries were
swept away. One Norwegian blogger, bemoaning the modern shopping centres now based
in the trendy area, reminisced about the previous factories and warehouses in
the district, claiming that “you had to travel through an area of rusty metal
to get to the Vikateateret.” The venue’s interior can be seen in two concerts from 1986 available on the state broadcaster’s on-demand service (although I
would recommend turning the sound down!), and it was the scene of the recording
of some of the tracks on Husker Du’s live album, “Makes No Sense At All”,
recorded in September 1985. Alan Vega, Jeffrey Lee Pierce and Nick Cave (all of
course associates of Eldritch) also appeared at the venue around this time,
which respected Norwegian journalist Guttorm Andreasen described as “the best
rock club in the world” at that time. Rather than a traditional theatre, the Vikateateret appears to have been a relatively short-lived affair based in one of the disused workshops of the "Akers mekaniske verksted", the abandoned former traditional shipyard at the Aker Brygge, which was being demolished in the mid-80s. Pictures available on the "oslobilder" website certainly show the "areas of rusty metal" which the hardy gig-goer would have had to traverse, as well as some early shots of the shopping centre. The Vikateateret gig was Hussey's second visit to Oslo, having previously played there on a 1981 TV show which he probably wishes hadn't recently been uploaded to YouTube, and in which he hears an uncanny resemblance to Ben Gunn! The Sisters eventually returned to Oslo
in 2009 for a sold out gig at the Sentrum, and have been back again since then,
having clearly forgiven the Norwegians for the May 1985 madness.
My thanks for this and other posts in this
Scandinavian Armageddon mini-series of blog posts are due to the usual
triumvirate of Phil Verne, Bruno Bossier and LG, and especially to Anders and
other Scandinavian Sisters fans who have provided fascinating info. Rise and
reverberate!
I was at the gig in Oslo. Here's a quick translation of what I wrote in my diary about that gig.
ReplyDelete'Oslo, 16 May 1985
It wasn’t crowded which made the annoying behaviour of one boy stand out. At one point he tried to hand a glass of beer to Andrew, who kept staring at him for a while. At some point Andrew gave the glass a mighty kick, which made it fly through the air to the side of the stage. The boy in question kept on behaving very irritatingly. Wayne was laughing at him and shouting things to him. All of a sudden Wayne went completely berserk and hit the boy with a guitar on his head. For a while the boy stayed calm but before long he was at it again and Wayne half started to fight with him. The manager together with somebody else dragged the boy away. It was all quite nerve-wracking.
No encores that night.
After the show the manager came up us [together with some friends I had been following the band for a while through Europe] and said: “The lads want to have a word with you.” In the dressing room Craig explained a bit of what had happened; Andrew was mainly talking about elks. I thought it really decent of them to make the effort to explain things to us because it had been quite an upsetting experience.' Nahna
The band was interviewed in "Nye takter" no. 123 in connection with the concert May 16th 1985 and release of FALAA the following day. I translated the article and uploaded it to Heartland. There is also a photo in the article, likely from the concert: https://pasteboard.co/wjlj2yTWOUCR.jpg
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