As we have seen before, researching
old TSOM gigs at a distance of thirty odd years can be a frustrating and often
trying experience, but gradually information emerges that enables the obsessive
fan to assemble the key details about a particular show and its idiosyncrasies
in comparison to other gigs of that era.
One curious anomaly of the half a
dozen or so London gigs the band played as they increasingly tried to impress
the self-appointed metropolitan musical elite (crucial backers if the band were
to break out of their northern stronghold) was the gig at Imperial College in
the capital on Friday 29th October 1982. This gig is listed in all
the usual gigographies usually accompanied by the phrase “nothing is known
about this gig.”
This is not strictly true in this
case, as the gig was reviewed towards the end of the band’s short breakthrough
interview piece in the NME entitled “Do The Apocalypso”, eventually published
in the first week of December. The paper’s editors had clearly sat on the piece
for a wee while, given that the show had taken place five weeks earlier, but
had clearly been hastily resurrected when rival paper Sounds stole a march on
them by having TSOM as cover stars.
In the very positive “Do The
Apoclaypso” piece, journalist Don Watson curiously refers to the audience as
“unsuspecting students”, a phrase which had intrigued me since first reading it
when it was first published, but which I now hope to be able to fully explain.
What had always been surprising about
the Imperial College gig was the fact that there appeared to be none of the
usual flyers and adverts, and that no photos, tickets or audio had emerged
either, a situation totally different to the TSOM London gigs either side of it
in those final months of 1982 as the word of mouth about the band began to
really spread with the release of the ground-breaking “Alice/Floorshow” double
A sided single. Indeed, all of the other gigs in London around this time seemed
to feature two or more other bands, but on this occasion curiously no other
band seemed to have been mentioned.
Like other colleges of the University
of London, Imperial was a fiercely independent branch of the major institution,
and like the other colleges had its own Students’ Union building (in this case
housed in the magnificent red-brick building below) as well as having
centralised services in the larger University of London Union (ULU), where TSOM
were to play supported by the Smiths in June 1983.
On this occasion at the end of
October 1982, however, I can now reveal that the band were booked at short
notice to play at the Halloween Party of the Imperial College Students’ Union
taking place that Friday evening. The attached advert, from the Imperial
College student newspaper Felix, back issues of which are now digitised online,
states that for the princely sum of £1 students would have access to the
Halloween Party which would now feature a performance of TSOM (contrary to what
had been previously advertised). One shudders to think at what an already “anti-goth”
Eldritch would have said had he seen the amateurish witch with black cat
illustration which accompanied the ad in Felix, surely the worst promo for the
band since the classic “waving nun” on a John F Keenan poster some eighteen
months earlier.
One can therefore imagine that many
of the students attending would have been oblivious to the fact that there
would be a band performing at all, let alone Leeds’ finest, and so the
three-way split the journalist describes in the crowd is all the more
understandable. “The audience becomes a mix of bouncing psychobillies,
restrained consideration and open antagonism.” Eldritch later tells Watson “We
always do that to an audience, there’s always the three distinct groups. We
always get cut and dried reactions.”
Watson agrees with Eldritch’s
assertion that the band are a different prospect “live” than in the studio,
stating “Where the records restrain the power, the live sound takes it to
almost ridiculous levels, as the band teeters on the edge of parody.” Little
did he know that this was only the end of the beginning …
By the time the piece was published, the Sisters were a bona fide cause
celebre in the musical world, being added to bills left, right and centre in
the hectic pre- and post-Christmas gig rush in the capital, and no more would
they need to effectively gate-crash student parties just to provide an
opportunity for journalists and others to see them. If anyone was at the gig,
or has any ephemera from it, the six thousand diehard fans over at the unofficial 1980-1985 The Sisters of Mercy Facebook group would love to hear from you!
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