That the Sisters of Mercy played
their first gig at Alcuin College at The University of York on 16th February
1981 has long been an accepted fact, and indeed an event celebrated by the band
themselves every decade with a pair of anniversary shows. Eldritch himself
referred to the first-ever show when on stage at the York Rock Festival some three and a half years later,
informing the audience that they had played their first gig in the city
supporting The Thompson Twins, back when the latter were “groovy”, adding
(Michael Caine style) “Not a lot of people know that.”
That the Thompson Twins played the
gig has never been in question, with music press adverts having surfaced (like the one featured below, from the collection of Phil Verne) which
feature the York date amongst others on their Feb 1981 UK tour which was both promoting their
“Perfect Game” single (on their own “T Records” label) and also in support of
the Campaign for Nuclear Disarmament’s “No Nukes” policy, a campaign aimed
squarely at the younger politically-aware citizens of the UK. But the only evidence that TSOM played at this
gig so far has come from Eldritch himself, primarily in the form of a brief
description in the Biography section of the band’s official website. “The band
makes its live debut on February 16th, somewhere between The Stooges and
Suicide, or Motorhead and Chrome. Marx has connected his guitar to a
record-player pre-amp which feeds back uncontrollably and Eldritch has shifted
the vocal echo into overdrive. It’s metal dub without any spaces, on a
shuddering mechanoid backdrop. The first-ever set kicks off with a twisted
version of Cohen’s “Teachers”, and ends with a juggernaut howl which might have
been “Silver Machine” but was in fact “Sister Ray”. The audience gets the
point.”
Impressive stuff, but still clearly just Eldritch’s own recollections
(albeit in the third person), written some years after the event, and yet the
one online eye-witness account of the gig, by “Carl1960” on last.fm states,
“Can’t remember anything about The Sisters of Mercy.” Finding some kind of bona
fide evidence from the show – a poster, genuine live recording (there are
several which claim to be from this show), ticket or review – became the holy
grail for a generation of Sisters’ collectors, as I became aware when legendary
aficianados Phil Verne, LG and Bruno Bossier started helping me with this blog
a few years ago.
Phil in particular has made this a
personal quest over the past thirty years. The closest he had come was finding
online a scanned issue of well-known contemporary Yorkshire fanzine “Wool City
Rocker”, but in the relevant edition the promised “Yorkshire gig guide” (which
may have listed TSOM as support) apparently came as a separate fold-out poster,
which was not scanned. After many years, LG finally tracked down a copy of the poster
that came with WCR but sadly only the Thompson Twins were listed.
Having belatedly joined the hunt, I
too found that the trail was cold, despite mentions of the gig on various York
websites (which had seemingly taken their info directly from the TSOM official
site). I was therefore delighted earlier this year to find on Ebay a copy of a
very professional York fanzine from the early 80s, “Beaten to the Punch”, which
contained “live” reviews from the latter part of 1981, and had clearly been in
existence at the time of the 16th February gig, raising hopes
that there might be a definitive mention of the gig in a previous edition.
Searching online, I was astonished to
find that sections of a copy of the relevant issue of “Beaten to the
Punch” (dated May 1981) had been scanned and featured on a superb fanzine archive blog by a user called “still unusual”, hosted by Tumblr (a recommended site for a
lazy afternoon’s nostalgic browse). The author of the blog had chosen this
issue to feature from his vast collection as it contained an interview with
much-missed Leeds new-wave
indie pop ensemble Girls at Our Best, which was reproduced in full on the blog. I could hardly believe
my eyes when I read the next sentence of the blogger’s summary of the fanzine’s
contents : “Apart from that … there’s reviews of recent gigs by the likes of
Siouxsie and the Banshees, Misty in Roots, Aswad and The Thompson Twins.” Sadly, however, these sections had not been
scanned into the blog post.
I quickly signed up for a Tumblr
account and messaged the anonymous blogger, asking if he/she could possibly
scan in the live review sections as I would be very interested in seeing them.
I got an almost instant reply, “Don’t have much time for fanzines at the
moment, but I’ll take a look over the Easter weekend.” I checked back on the Tumblr site
regularly within the last month to read “still unusual”’s latest posts
(incidentally a lot of cool but non-TSOM-related stuff), but nothing relevant
appeared to have been posted, until earlier this week when I checked back on
the “Beaten to the Punch” post, to find that it had been updated with the
requested reviews, and incredibly TSOM are not only mentioned by the fanzine’s
reviewer of the Thompson Twins gig, John MacLaverty, but reviewed in a brief
section about the two support bands.
Whilst Eldritch feels that “the
audience got the point”, MacLaverty takes a different view (see cutting at top of article). “As the assembling
audience got tanked up in the bar, the two support bands failed to grab the
attention of the few in the hall.” Fortunately, the fanzine journalist remained
alert however, and was able to add a further sentence “Maybe Sisters of Mercy
opened up a bit gloomily, all suitably bleak and industrial featuring the
mandatory drum machine.” Harsh but probably fair, indeed not too dissimilar to
Eldritch’s own appraisal of events on stage, but including a few epithets that
hint towards the “goth” label which would soon be attached to the group and
plagues them to this day. The reviewer clearly preferred the (sunk without
trace) other support band Able Kars (which sounds like a taxi firm), before
drily noting “lift-off failed and the bar did good business”.
The rest of the review rails at the
audience for showing no interest in the political cause which the event was
purporting to publicise, but includes a decent review of the (indeed then
“groovy”) Thompson Twins. The latter were at that stage a seven-piece, and
purveyors of a tribal funk-pop (influenced by Adam and the Ants, who had
undergone a punk rebel to pop star route that both The Thompson Twins and The
Sisters of Mercy were to follow) and creating an upbeat, almost party
atmosphere amongst usually po-faced indie gig-goers. I once saw The Thompson
Twins live myself (between this gig and the April 1982 split which would leave
the chart-bound nucleus of three people), and vividly recall the band handing
out drums/percussion
items and encouraging the audience to join them onstage for the finale, as
happened at the York gig described here, one of very few bands to risk such an
audacious move in the post-punk days.
The discovery of this wonderful
artefact proves that TSOM did indeed play at the Feb 16th gig,
their first ever. Why a Leeds band’s live debut took place on the
University of York's campus, situated in the village of Heslington, a few miles
to the south of the flood-prone historic city is still not entirely clear, but
TSOM became very popular with the Ents Committees responsible for putting on
gigs in the JCR of their college (rather grandly, York uni modelled itself on
Oxford and Cambridge in having a collegiate structure, a bit like the Houses at
Hogwarts) as they would feature there several more times in 1981 and 1982. The
fact that Eldritch was well-known for hanging around (and possibly even
employed at) city punk t-shirt emporium Priestley’s, would certainly help to
explain his connections with the movers and shakers of the York gig scene,
however. This pic of a very young Eldritch in Priestley’s was posted on FB by
Russ C who said, “It was taken by friend of mine, around the time the Sisters
were conceived. As the taker of it rightly states (or words to that effect),
“he was always, and even then, way head of the rest of ‘em.””
I will leave for others to discuss
the long-running issues of whether the gig took place in Alcuin (as most now
agree) or Vanburgh College, or whether the alleged live recordings are actually
from this gig – and I imagine that the debate will rage on over on the unofficial The Sisters of Mercy 1980-1985 FB page. But for now, I would like to
thank the blogger “stillunusual” for their key role in providing indisputable
evidence that TSOM did indeed support The Thompson Twins in York on that February
1981 evening, and to Russ C, Phil and LG once again for sharing items from their vast
collections with us.
Great stuff as ever Nik. I recall some rumours over on Heartland that this is only what the band class as their first ever gig though ... there were some performances that pre-date this (maybe). Gigs in a pub in Warrington (with the March Violets) and covers of 'Silver Machine'. You've already solved the 'Did Peel Play The Damage Done Mystery' for me, are you up for another challenge? Cheers, Matt (Mothra on Heartland)
ReplyDeleteHi Matt. I looked into the pub gig rumours - allegedly in Wakefield - in an earlier post, but the trail went cold, with no evidence either way and people who were around at the time either adamant they had played or adamant they hadn't. Having said that, I'm always up for investigating a mystery, and hopefully close to resolving another one soon! Thanks for the support Nik
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